Deus 8: You'd Think There'd be a 12-Step Program for This!

I'm the first to admit that a collector's completist mentality can be a problem, and Deus ex Comica, Part 8: It's a Sickness, published over at Field's Edge today, is my therapy. This installment is a look at the way I purchase comics, and ties back to that whole Type A personality flaw first mentioned in Part 6's Marvel 1985. You see, sometimes it's important to recognize it's better to leave the local comic book shop with just the books you want, and not necessarily the ones you think you need.

Deus 7: Knowing is Half the Battle

Although it is the title with the most issues in the Original Collection, G.I. Joe is also one of the most out of character titles for my personality. I was finally able to sit down and capture my thoughts on the topic, and the result is another Deus ex Comica published at Field's Edge today. Part seven, "A Real American Hero", is an exploration of influence and pop culture on a personal level that builds off of my thoughts in the previous installment, "Marvel 1985". As with so many of these looks back at my mid-'80s comic collecting, I also expose Mark as an accomplice to my fascination with this book.

Field's Edge Founders

So John's book is finally finished, and Collect All 21! Memoirs of a Star Wars Geek - The First 30 Years is ready for mass consumption! While I can't take any sort of credit for the book, I have enjoyed sharing the journey with John. I have done plenty of work-shopping and editorial work over the years, but this was a completely different animal. Because I know John so well (Good Lord, nearly 30 years now? Really?) and love his writing so much, it was sometimes difficult to step outside of being a fan of his writing to ensure I was seeing the nuts-and-bolts stuff. On the other hand, it never made picking up the manuscript a chore. I'm honored John asked for my help and proud of what he has accomplished.

So go! Order it! It's good stuff (and shipping in the United States is free if you pre-order it).

John also runs Field's Edge, an online magazine, with an insanely talented Orlando-based photographer, Jim Carchidi. I am grateful to both of them for so willingly providing an outlet for my Deus ex Comica series, along with publishing other pieces of my work that deserve a wider audience than Random Thoughts Escaping might be able to give them.

I had been following Jim's coverage of Star Wars Weekends 2008 at Walt Disney World on the Field's Edge site. And, when I saw Jim's photo of the Donald Duck as Darth Maul maquette Disney released this year, I immediately wanted it. After checking out the order site for details, though, I couldn't justify dropping two-hundred twenty-five bucks for it. Then an unexpected package came in the mail Saturday with Jim's return address on it. It was the Star Wars/Star Tours theme park exclusive Donald Duck as Darth Maul PVC figure! While I'm usually more of an Original Trilogy kind of guy, this awesome little duck is three inches of Dark Force fury!

John rocks. Jim rocks. Check out the great work they're both doing!

Deus 6: When Dutch and the Iron Lady Ruled the World

Despite multiple waves of houseguests this past week while on vacation, I was finally able to get Deus ex Comica, Part 6: "Marvel 1985" completed, and the good folks over at Field's Edge published it today. I'm not reading Marvel's current limited series of the same name just yet (I'm waiting for the collected edition), but I've heard great things about it, and it inspired me to think about where I was in my comic reading during that era from a year-by-year perspective.

Deus 5: The Beauty of Trades

Part 5 of Deus ex Comica, "Bound for Greatness", is available at Field's Edge. This time around is my take on trade paperback collections. This will be the last one for a few weeks because of vacations and such. Look for a new installment either the first or second Wednesday of May. In the meantime, watch this space for musings on a variety of topics and check out some friends' stuff, too.

Pop Conference Revisited, Part 2: Academia Goes Pop

Marking the 2008 Pop Conference this week, Field's Edge is publishing for the first time a written version of the multimedia presentation I delivered at last year's conference, "Greatest Hints: How Michael Stanley Almost Made Cleveland Famous". Here is the second of two related entries. Earlier this week I talked about how I ended up involved in the conference and how the presentation was put together. Now here are some of my impressions of what I experienced while in Seattle.


The conference itself was a lot of fun. I met some very cool people and had some great experiences. When a group of us went out to dinner after the opening night hoopla, Daphne and I ended up at a table with keynote speaker Jonathan Lethem and Rhapsody programming honcho Tim Quirk in a particularly animated discussion about the music industry and the '80s scene. At the cocktail reception on the last night of the conference, I met Douglas Wolk who pulled out a copy of his then-yet-to-be-published Reading Comics to share with me.

In between, there were fascinating moments in many of the panels, including Joshua Clover basically filtering Scorpions' "Wind of Change" and Jesus Jones' "Right Here, Right Now" through the historical significance of Tiananmen Square and the fall of the Berlin Wall. His subtle sense of humor really played well in his presentation.

Tim's paper looked at the play statistics he had access to via Rhapsody. Because of the very nature of the service, hip-hop and R&B were woefully underrepresented. Tim knew this going in, prefaced his paper with it, and restated it throughout the heated Q&A, but it was to no avail. The race card was continually brought up and bandied about -- primarily by Clover and Sasha Frere-Jones. Daphne Brooks (who is African American and who was on the same panel with Tim and Robert Christgau) remained ever classy, while Xgau sat with an alternatingly confused and amused look on his face as the audience got more and more hostile. It was one of the most entertaining Q&As of the conference.

Michaelangelo Matos' paper taking a look "Behind the Bob Marley Poster on the Dorm Room Wall" was infused with his signature humor, and Daphne's in-depth look at Hot Topic as the enabler of suburban emo teens was interesting and entertaining. On the same "Iconography" panel as Matos and Daphne was "fashion anthropologist" and author Erica Easley's look at the history and future of rock t-shirts. Great stuff all around!

The panel I took part in, "My Hometown", had some good moments as well. Andy Beta's take on "Is Anybody Going to San Antone?", and Charlie Bertsch's take on the Tucson indie scene were fantastic. My own presentation prompted a dialog with Holly George-Warren around the outlying factors that influenced Michael Stanley's inability to make it big on a national stage, which was very cool.

In all, the Pop Conference was a good experience -- both the work that went into creating my paper and the conference itself. This year's theme of "Shake, Rattle: Music, Conflict, and Change" struck me as more of a stunt than anything else because many of the people who attend the conference love to stir the pot with the race card. Regardless of that, I do recommend attending the conference if you are able. There is some great dialog that should and does take place there that really get to the heart of music, the art of music writing, and the business of the industries.

Pop Conference Revisited, Part 1: Putting It All Together

Marking the 2008 Pop Conference this week, Field's Edge is publishing for the first time a written version of the multimedia presentation I delivered at last year's conference, "Greatest Hints: How Michael Stanley Almost Made Cleveland Famous". Here on Random Thoughts Escaping is the first of two related entries. First up is some background of what went in to putting the paper together. Later this week I'll share some of my thoughts on the conference itself.

In April 2007, I attended Experience Music Project's annual symposium designed to bring together academics, writers, performers, and other music lovers into a common conversation at the Pop Conference in Seattle, Washington.

The journey there, however, started for me in late November 2006 when my friend Daphne Carr suggested I get an abstract together and submit it to the selection committee. The theme of last year's Pop Conference was music and how it relates to time and place, and I settled on an exploration of the role the civic image of an artist's hometown plays in their attempt at national stardom, focusing on late '70s and early '80s Cleveland and the Michael Stanley Band. Once I received word the following January that my proposal had been accepted, I took a hiatus from my writing and editorial work at PopMatters, and set about researching and putting the project together over the next few months.

I attempted to set up interviews with anyone even tangentially involved in Cleveland radio and music, and Michael Stanley's career. I ended up having email conversations with original MTV VJ Mark Goodman and WMMS disc jockeys Kid Leo and Jeff Kinzbach about what was going on at the time from their perspectives. I sat down with folks like David Spero, who was Michael's first manager, and Hank LoConti, owner of the legendary Agora where Stage Pass was recorded. I tracked down Don Grierson, who signed MSB to EMI, through one of Janet Macoska's great photographs in Mike Olszewski's fantastic book, Radio Daze: Stories from the Front in Cleveland's FM Air Wars. (A must-read!) The generosity, honesty, and frankness of these people regarding Michael's career and the state of Cleveland's music scene were invaluable to the project.

I also spoke to the musicians themselves who were on the ground as the era unfolded. Band members Bob Pelander and Tommy Dobeck were liberal in the information they were willing to share, and I talked to Clarence Clemons of the E Street Band, who played sax on MSB's Heartland album. And I met with Michael, having numerous discussions about his career, his musical drive, the business side of music, the people of Northeast Ohio, and life in general, I suppose. These were the people who really were able to provide a framework in which I would ultimately craft the paper.

After wrapping up interviews by mid-February, I went about transcribing the hours of interviews and the even more difficult task of taking that original idea in the abstract and fleshing it out into a coherent 20-minute presentation.

The Pop Conference is held at the Experience Music Project facility, so stepping out from behind the bounds of a simple podium is encouraged. Multimedia audio and visual presentations are encouraged, because even rock 'n roll can get a little dry when caste in the dull veneer of academia. I ended up narrating a DVD that incorporated the sound bytes of my conversations with Michael directly into the presentation, and used (with her gracious permission) some of Janet's stunning photography of the era to enhance it all. The end result conveyed my original ideas blended in a visual medium almost exactly how I'd envisioned them.

Deus 4 (or How to Scar a Six Year-Old)

There is a new Deus ex Comica is up over at Field's Edge. Part 4 is my take on the pixilated goodness that is the House of Ideas come to life on the Wii.

On a somewhat related note, I'm the first to admit I'm no hard-core gamer, but even I enjoyed Wil Wheaton's 2007 Penny Arcade Expo keynote address. Check it out, but only after you've listened to this week's Marvel Noise podcast!

Deus 3 and the Mutual Appreciation Society

So, part 3 of Deus ex Comica, "Ignoring Personal History", is up over at Field's Edge. I talked with John, and we decided to start publishing new installments every other Wednesday instead of every other Sunday for the time being. The change provides some nice synergy with the traditional weekly comic book release day and my friends over at Marvel Noise.

Speaking of... HUGE thanks to Head Marvel Noisemaker David Price for the gracious nod and kind words he gave the Deus series and Field's Edge in this week's podcast! There is always good stuff to be found in not just the podcasts, but also on the blog and forum over there.

Deus ex Comica

Parts 1 ("Gateway Drugs") and 2 ("Judging a Book by its Cover") of Deus ex Comica, my series of essays looking at the impact of comic book pop culture on a personal level, are up over at Field's Edge. Over the course of these installments, I'll be exploring how the Marvel stable of titles influenced my mid-'80s preteen and early teen years, the friendships formed around them, as well as topics like what it means as an adult to have disposable income and a collector's completist mentality.